After graduating from Hood College with a BA in art history in 2011, Ryan began teaching at The Metropolitan Center for the
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Visual Arts in Rockville MD. He apprenticed for Joyce Michaud during 2012 and 2013. Ryan worked for FEMA as an AmeriCorps volunteer during most of 2014. He is currently an artist in residence
at Brockway Center for Arts and Technology while he pursues
a post baccalaureate degree at Hood College. Artist Statement:
How do we approach our relationships with each
other and with our environment? Are we hasty and careless or do we take our time, considering consequences and weighing options? Learning to make large forms has helped me to understand that faster is not always better. It takes days or even weeks to create a large scale form that would take
less than 10 minutes on a smaller scale. I dig large amounts of clay from the earth and process it by hand. After the clay ages for several months, it is thrown
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in segments into large forms. Curves, angles, and proportions are all carefully chosen since the large size amplifies flaws and areas where I haven’t given
enough attention.
In our fast paced technological world,
taking the time to slow down can be underrated if not forgotten entirely. Does it really improve our lives to be so well connected to each other through technology, or have we lost something much more integral to our sense of humanity? Perhaps we have lost deep rooted, meaningful connections with each other and with the earth. A quick glance will not reveal the journey that these pots present. Only under close, careful observation can the viewer separate the micro from the macro and appreciate them in unison.
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